A list of my (mostly scholarly) publications, updated as the list slowly grows. Links to online publications and downloads are included…
‘Awkward Ecologies: the 21st Century Baroque’. Proceedings of the 2011 Australasian Computer Music Conference (Auckland).
‘Awkward Ecologies: Sound-Based Music’. In eContact! 13.3.
‘Three Electroacoustic Works’. In Just Like Us: Music in New Zealand, ed. Hoskins, R. (Auckland: Steele Roberts, forthcoming in 2011)
‘Centrifugal, Centripetal: Electroacoustic Music in New Zealand’. In Home, Land and Sea: Situating Music in Aotearoa/New Zealand, ed. Keam, G. and Mitchell, T. (Auckland: Pearson Education NZ, 2011)
‘Douglas Lilburn – “a total heritage of sound”’. In Landfall 219: On Music, ed. Bill Direen (Dunedin: Otago University Press, 2010)
‘The water sounds today like it did yesterday’. Essay for Prior, D., Black Water, Brown Water [CD] (Dartington: Acts of Language, 2009)
‘Acousmatics and the language of the technological sublime’. Paper presented at the Electronic Music Society conference, Leicester, June 2007
‘Spectral Memories: the Aesthetics of the Phonographic Recording’. Paper presented at the Sound as Art conference, Aberdeen (Scotland), Nov 2006. Published online in Hz #12
‘Spectral memories: radio, records and John Cousins’ Sleep Exposure’. In Canzona, 25/46 (2004), pp.30-35
‘Other Notes: Jack Body’s Alley’. In East by South: China in the Australasian Imagination (Wellington: Victoria University Press, 2005)
‘Little Earth: Sound, Cinema, Sci-Fi and Space’. In London Fieldworks: Little Earth (London: London Fieldworks, 2005)
‘Access and accessibility: new music and young composers in Aotearoa’. In Music in New Zealand, 32 (Autumn 1996), pp.6-7, 73
‘Sourcing the subjective – an interview with John Young’. In Canzona, 6/37 (1994), pp.46-48
